Avid Mojo

Oct 29 2010 Published by under Cameras & Photo

Avid Mojo DNA Digital Nonlinear Accelerator 0020 03250 01 Excellent Working
Avid Mojo DNA Digital Nonlinear Accelerator 0020 03250 01 Excellent Working
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Avid Mojo SDI Digital Video Hardware with Cables and documents
Avid Mojo SDI Digital Video Hardware with Cables and documents
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AVID MOJO
AVID MOJO
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Avid Mojo DX hardware Brand NEW Hardware Only
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Avid Mojo SDI Portable  Powerful Digital and Analog Composer READ BELOW
Avid Mojo SDI Portable Powerful Digital and Analog Composer READ BELOW
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AVID PCIe Laptop Adaptor MC Mojo DX AV 7020 20242 01
AVID PCIe Laptop Adaptor MC Mojo DX AV 7020 20242 01
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AVID MOJO SD
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AVID MOJO SDI Professional Editing Hardware
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AVID MOJO SDI
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AVID MOJO DX I O AND MONITORING HARDWARE FOR MEDIA COMPOSER NEWS CUTTER SYMPHONY
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AVID MOJO SDI Portable Powerful Digital and Analog Composer
AVID MOJO SDI Portable Powerful Digital and Analog Composer
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Avid 7010 06812 01 Analog MOJO
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Avid Mojo

Purchase Avid Media Composer 5 cheap

Buy Avid Media Composer 5 cheap

With Media Composer 5 software, you can work with more formats and in more ways than ever before, and speed through common media barriers to get right to what really matters — telling a great story.

Media Composer goes where other video editing systems leave off, giving you full-featured editorial tools, the fastest file-based workflows around, dependable media management, and innovative features that save you time — and money. Whether you're cutting films, TV shows, short-format videos, or other media, in the studio or on the road, or using a Mac or a PC, you can edit the way you want, wherever you want, and in ways you never thought possible with Media Composer.

Features:

Work Directly with RED Using the Newly Improved AMA
With Media Composer 5, AMA (Avid Media Access) has been completely reengineered, so you can work natively with more file-based media formats now and in the future. With the new and improved AMA, you can speed up RED workflows by directly accessing RED files (.R3D) in Media Composer without having to prepare them through MetaFuze (all footage is scaled to HD frame size). Plus, you have access to its full metadata and color management data too.

Edit QuickTime Formats Natively
Get native access to all popular QuickTime formats, with full access to clip metadata. Thanks to AMA, you can natively access and edit any movie that can be played in Apple's QuickTime Player (including Apple ProRes and .mov files captured by Canon 5D and 7D cameras) right in Media Composer — no transcoding, rewrapping, or logging and transferring required.

Drag and Drop Video and Audio to Edit
Get comfortable — with Media Composer 5, you can truly edit the way you like. In addition to the standard way of editing, you can also now directly manipulate elements in the timeline to edit video and audio. Drag and drop clips anywhere you want on the timeline to rearrange sequences. And grab a clip's in or out point and drag to trim a scene, dialog, or music.

Get Full-Quality HD-RGB Processing
Keep those finishing jobs in house, and deliver the highest quality color and effects work, with support for full-quality 4:4:4 HD-RGB color space processing in Media Composer. With the higher resolution detail, you can perform color correction, keying, and effects work with greater precision and ease. And if you have a Nitris DX-based system, you can digitize, process, monitor, and output (output in Symphony systems only) projects in HD-RGB, using the two HD SDI connections to handle the high-bandwidth resolutions.

Monitor Video Externally through Matrox MXO2 Mini
If you don't have a Nitris DX- or Mojo DX-based system, Media Composer 5 opens the door to third-party workflows, enabling you to monitor video externally using the Matrox MXO2 Mini interface, which is available for Mac and Windows systems. When paired with Media Composer software, MXO2 Mini becomes a dedicated, high-quality monitor-only solution for file-based or workgroup production, so you can view your video work in real time without any major expense.

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